Classic Shine - Day 15

6x6

Oil on Linen on Panel

Day 15 of

30 Paintings in 30 Days

I'm glad Leslie was mentioning giving ourselves a break with this challenge today.    It's so much  more important to have fun than following the specific theme and/or restrictions we set for ourselves    All in all what I come back to on the artistic journey is the importance of listening within.   I do that now when it comes to subject matter.   I want to paint what I'm drawn to and what makes my little artistic soul sing.   It brings out the best in me and it keeps me inspired and growing.   What I was drawn to in the photo this is painted from was the colors of the car, trying to capture the light and the shine of it, the high horizon line and the light going down behind it all.
What inspires you to paint the most?

Avoiding the Dishes - Day 14

8x8

Oil on Linen on Panel

Day 14 of

30 Paintings in 30 Days

My good friend's husband's Dad :-) has many great collections and antiques.   We spent a girls weekend at his house and I got a few pictures of some of his marvelous collections.   This one had a favorite of mine, a brush to use for dishes, which was in the shape of a funny bird.   I got the picture of it back-lit.   

I got behind on the challenge over the weekend so now I'm finally back on track and I can breathe a little more easily...and then get ready to paint more tomorrow!   I wonder how many of the participants of the challenge have had to catch up?

Ojai Valley - Day 13

8x10

Oil on Linen on Panel

Day 13 of 

30 Paintings in 30 Days

This was painted en plein air on location in Ojai where I met up with my painting buddies Dan and Bruce.    Together with Dan's wife Sarah and son Ian we all enjoyed the view of the Ojai valley as it warmed up from the early morning degrees in the 30s.   Check out Dan's great website and beautiful work here.

Super Sam - Day 12

6x6

oil on linen on panel

Day 12 of

30 Paintings in 30 Days

So I'm a little behind and I'm hoping I'll catch up tomorrow when I go painting outdoors.   I did have a lot of fun finishing this little quick study of a little super hero. Even though I used a photo I felt like I kept it pretty loose and simple.   Painting on linen was a nice treat as well.
I'm entering it for the January Bold brush Competition as well.   Just a little experiment.  If you like it and go to my FB page...it might make a difference!  
Thank you and Happy Painting!

Flower Study - Day 11

6x6

Oil on Gessoboard

Day 11 of

30 Paintings in 30 Days

I got some flowers from the Farmers Market last weekend and wanted to capture some "light on dark" or back-lit flowers.   I originally tried it with the flower back-lit and a grayish orange background thinking I would have some nice grays to make the colors stand out...but somehow that didn't quite work out the way I wanted so the other day I darkened the background and it made things pop in a way I liked a little better.

Alpaca Bangs - Day 10

6x6

Oil on Gessoboard

Day 10 of

30 Paintings in 30 Days

Here's another Alpaca i finished today.   I'm having fun painting them.   Going a little crazy with the color perhaps:-) but it's all part of the process I think.  

I've been thinking about whether doing this challenge is helping me figure out my own personal "short-cuts" or my general process when it comes to getting the drawing down and what steps I take after that in finishing it.   I wasn't sure I even had a process?   Don't I just madly jump in there....putting the paint down randomly and hoping it works?

After paying attention for a few days I think I can now say that there is a process to what I do and that is a valuable piece of knowledge!   For there are many opportunities, whether we teach or demo our techniques where we need to put words to what we do.  

Happy Painting!

Waterfun - Day 9

6x6

Oil on Gessoboard

Day 9 of

30 Paintings in 30 Days

I snapped a bunch of pictures when I went to the Kidspace Children's Museum with the kids last summer and this one has been on the easel a while.   I love the interaction between the mother and her child and the natural composition that was created.   I'm still working on my second Alpaca so I'm posting this one for today.

Hanging Out - Day 8

6x6

oil on gesso board

Day 8 of 

30 Paintings in 30 Days

Seems like I'm on a roll painting animals doing this challenge....  As the title suggests I also took it a little easy after a few busy days painting and dealing with other busy tasks and I worked on finishing some paintings that have been "hanging out" in my studio.   This one is of some birds we saw when I took my youngest son on a field trip to a fish farm a while back. 

The Theo Tilt - Day 7

6x6

oil on gesso board

To Bid

Day 7 of

The 30 Paintings in 30 Days Challenge

I love back lighting and Theo is our dog so this was a great subject matter for me.   I did a drawing ahead of time so I think that made it easier when I got started.    I'll write more about the process and add it after this very busy day is over:-)

Happy Painting!

Summer and Sun - Day 6

8x8

oil on linen on panel

To Purchase

Day 6 of
 30 Paintings in 30 Days

This is a scene I from Cape Cod this summer and the color of the Scooter Vespa just made me happy.

The Cycle of Growth - Day 5

 8x10

Oil on Canvasboard

Day 5

30 Paintings in 30 Days

This painting was done playing around with the concept of seeds as I was trying out several ideas. There's something I really like about it and I think it's the result of doing a whole series of them.

Reading the blog of artist Susan Klabak (check out her great site here) who posted the following article by Robert Genn from his Twice weekly Newsletter I was reminded again why Leslie Saeta's challenge this month is so great!

 Sign Up for the Painter's Key to get insightful twice weekly newsletters like this one!

Link to this post

Two artists
November 2, 2012

Dear Artist,

Because this is a bit personal, I'm not using their real names. They're both about 40 years old.

"Jack" got a BFA and then an MFA from a Midwestern University. He's visited many of the major contemporary art museums and follows the work of several "important" contemporary painters. He's written articles on Philip Guston and others. He subscribes to several art magazines and is "the most knowledgeable art-guy in any discussion." After university he worked for a while in a commercial art gallery. He sometimes writes me long, well-informed letters. He's painted eleven large paintings (two unfinished) since leaving school. He's not represented by any gallery. He thinks you need to move to New York and "get lucky" with a dealer who "really represents you."

"Jill" took two years of art school and then quit. She pays little attention to other artists. She subscribes to no art magazines but has taken several workshops. Her hobbies include bowling and travelling. At one time she also worked in a commercial art gallery. On two or three occasions she's written to me. She's painted "approximately two thousand paintings" since leaving school. She's represented by four commercial galleries in four, well-separated mid-sized cities.

There's a great story in David Bayles and Ted Orland's Art and Fear . Here it is:

"The ceramics teacher announced on opening day that he was dividing the class into two groups. All those on the left side of the studio, he said, would be graded solely on the "quantity" of the work they produced, all those on the right solely on its "quality." His procedure was simple: On the final day of class he would bring in his bathroom scales and weigh the work in the "quantity" group: fifty pounds of pots rated an "A", forty pounds a "B" and so on. Those being graded on "quality," however, needed to produce only one pot--albeit a perfect one--to get an "A". Well, came grading time and a curious fact emerged: the works of the highest quality were all produced by the group being graded for quantity. It seems that while the "quantity" group was busy turning out piles of work--and learning from their mistakes--the "quality" group had sat theorizing about perfection, and in the end had little more to show for their efforts than grandiose theories and a pile of dead clay."

Best regards,

Robert

PS: "Artists get better by sharpening their skills or by acquiring new ones; they get better by learning to work, and by learning from their work." (David Bayles and Ted Orland)

Esoterica: Both subscribers Jack and Jill are thoughtful and enthusiastic artists. Art is central to their lives. And while success and "being able to function as a full time artist" may not be important to some of us, their current situations are quite different. Jack rents an apartment and makes $2150 per month (plus tips and benefits) as an airport porter. Jill works daily in her converted garage in a home she now owns. These days she's averaging $18,000 per month. She has "no benefits."

Beyond the Field - Day 4

6x6

oil on gessoboard

Day 4 of 30 paintings in 30 days

DPW

This is the second sketch I started on location the other day and the one I felt had a composition that I'm usually more drawn to.   I spent a little more time on it today, basically adding some more texture to the grass.   What I learned today is that the cheap painting brushes you can get at a hardware store work well in creating some of those wispy irregular areas.  

Today was a productive day painting and it was also Open Studio Day at Studio Channel Islands Art Center where I'm an Artist in residence.   If you're in the area check out all the great classes they have coming up in January.  I just joined in August and what a great surprise, I got a visit from Sherri Cassell who is also doing the 30 Paintings in 30 days Challenge and somehow I had not realized we both have studios across each other.  Check out her great work at her blog

What a small world!

Warm and Cool - Day 3

8x10

oil on linen

Day 3 of the challenge.

Got to go painting on location today with my painting friends Daggi and Pam.   We set up at King Gilette Ranch of Las Virgines which is a California State Park that was recently renovated.

I'm so inspired by Mark Daniel Nelson and other painters that are able to abstract the landscape and find great compositions that divide the space in such an interesting way.  That's the kind of art I'm drawn to and I'm working on painting more of what I'm drawn to in my own art....not always easy...

I wanted to fill up the canvas with the building, but I think I could have pushed that further and I was pushing the color, but it was a challenge to figure out how to create the reflected effect on the building and whether to go warm or cool, since I could see both.

All in all it was a really nice day and the second sketch I started captured the kind of composition I like even more, so...I will add a little more detail to it and maybe post it later.

I'm finding that with the 30 Paintings in 30 Days Challenge I need to let go of thinking I have to always finish and just concentrating on painting as much as I can and post my process instead of getting myself stuck.  Paint and move on!

The title "Warm and Cool" also refers to the fact that the temperature today was both warm and cool.  We saw little icicles hanging off the cherry blossom and whereas I got really warm by the end of the session Daggi who was painting in the shade was getting so cold that she was shaking and I suggested that maybe we needed to send in a picture to the Extreme Pleinair Painting segment in the PleinAir Magazine, although we'd have a hard time convincing anyone of the frigid temperatures in Southern California....

Happy Painting!

Within kids reach - Day 2

6x6

Oil on Gessoboard

to view

Day two and my dear husband got home early so I dashed off to the studio to do some more painting for the 30 Paintings in 30 Days challenge.  I ended up working on 3 different paintings.  This one being one that needed some rework.   I'm working hard :-) at simplifying and I originally liked the contrast of the white "kids" compared to the black adult goat, but the big goat was almost to simple of a black shape so it helped to add some color to describe the "planes" of him a little better and I ended up lightening the background as well.  Tomorrow I'll re-take the photo outside to see if I can get the colors closer to the original and a little cooler.

What is becoming clear to me in doing this challenge is how easily I get side tracked and end up working on something different from what I set out to paint....I wonder if anyone else is facing the same dilemma:-)?
Here's a second camera shot with some additions.

It has a whole different hue than the one with the photo taken inside.

This one feels like a work in progress so it will not be for sale....:-)

Alpaca Eyes - Day 1

6x6

Oil on Gessoboard

 Day 1 Painting
To Bid

So I might have gotten a head start on my 30 paintings in 30 days by painting today:-) 

This is what I will post tomorrow for the challenge.  It is a painting of one of the Alpacas I saw visiting the Somis Alpaca Farm "Alpacas at Windy Hill" where my sister in-law now owns her own Alpaca.  They are quite interesting animals and I must say that I wasn't that familiar with them before the visit.  Along with the kids I was quite enthralled and took a lot of pictures and something that struck me apart from them being a little skittish around people is how beautiful and intense their eyes are.  

Fur is a struggle and this definitely gave me some more practice.   I'm happy with some of the color and areas where I stayed loose, but that is always a work in progress.  I have trouble not zeroing in on an area and then overworking it...

Hopefully this challenge will force me to move along and leave things alone more.  My intent for my next painting session is to establish 3 values to start, make it read well from afar before adding any detail and all that color I see everywhere...

I look forward to seeing what everyone else paints.  I think we're now up to 222 painters being part of the challenge.  Thank you Leslie for getting me off to a great start, painting more!

New Year - New Challenge

Wish me luck!!  :-)

I usually get to my studio about 3-4 days a week....but inspired by Leslie Saeta and her challenge

30 painting in 30 days 

I'm joining Leslie and at least 115 other artists (to-date) to give myself the opportunity to paint a painting for each day, or at least 30 in this next month starting on January 2nd, so that might mean several in a day to keep up.   (There's been a few teachers and mentors who have encouraged me to do that very thing and I'm excited about taking part in this adventure).   Leslie gives some great pointers on how to prepare and make it a successful experience here.    Personally, it will take me some planning ahead and having my space and materials ready ahead of time.

As a theme for myself I will be painting

Everything that's been on my list to paint, which means:

At least 5 paintings each of

 cars

kids

toys

animals

Cape Cod and urban scenes

and I will plan to paint on location/en plein air at least once or twice a week

plus do some abstract explorations and playing with a palette knife

Check out my pinterest page for what has inspired me lately

As an artist and mother of two boys it seems like an insurmountable scheduling feat, but I think it will be good for me (I like challenges) and I will just have to get organized and find more time - and paint in the evenings as well...

On my to-do list:

go through photos - pick/print the ones I want to do

Order more paint and check that I have enough surface materials

set up dates with other artists for the location painting
prepare canvas boards and do my compositions and drawings ahead of time.

 And anyone who knows me knows that I'm all for finding others to be accountable to and journey with and I'm hoping a few of my fellow artists in our goal group might consider joining as well!

Back Here

6x6

Oil on Gessoboard
To Bid

I probably don't seem like someone who's into cars, and I can't say that I'm a car buff.   But there's something about the older model, beautifully designed car with personality that makes me happy.   It also reminds me of all the car shows my dad brought us to in Sweden when I was little.   Well, maybe dragged is a better word...Makes it all a little more nostalgic and close to my heart now.  This is my first serious attempt.   I like the car peeking out from behind.   That's the way I feel sometimes - as an artist.    I'd rather hide behind my easel....and just peek out....lol.

Light down the Road

 Light Down the Road

6x6

Oil on Gessoboard

Sometimes it's hard to know what's down the road.  Impossible as a matter a fact...   This painting is a reminder to me that if I just put one foot in front of the other and do what is in my power, in life, as well as on my art journey, things will fall into place.   Aside from painting whenever I have a chance I'm working on an art project that for me has a lot of meaning and is stepping way out of my comfort zone.   Along the way I haven't always known whether it's a go or not.   I will share more about it here and on a new blog as soon as I can set it in motion.  Right now things are looking up:-)

Three Wheelin'

6x6

Oil on Gessoboard

I have a lot of fun with the kids going on little field trips.  This is from when we went to Kidspace in Pasadena, a great Children's museum with bugs, climbing, water and tricycles.  This is another painting where I turned my photo upside down.  I really liked the shadow helping to create some contrast.   The shorts were a bit of a challenge...What do you focus on?  Local color, in shadow versus in light and then add the pattern, or the other way around?

Afternoon Conversation

 6x6

oil on gessoboard

My son got pretty close and conversational with a duck this summer.   It was on our vacation when we spent a day in Boston.   If you've ever read the book "Make Way for Duckling" this is the actual pond where the story takes place.  Lots of ducks, beautiful back-lighting, complimentary colors.   I knew when I took the picture that it would make for a pretty good subject matter.   And it's time I do some painting of my kids while they're still little.   I'm not at all used to painting people, but I'm pretty happy with this one.  I think it helped to turn the photo up-side down so I could focus on the shapes and values more than perfect details....lol...I'm working really hard these days to get away from those details.